You know the drill.
I’m currently reading Elmore Leonard’s Road Dogs, and I just wanted to pop into say that Leonard’s prose, particularly his dialogue, is superb and a delight to read. He’s a terrific stylist and also one of the most efficient writers. There are no wasted words, and the pared down quality of the prose is palpable and impressive. This spare style is something I’m oddly enthusiastic about. There’s almost a magical quality about the way he does this, where less becomes more. One way this can be seen is in the sexiness of his female characters. Leonard has written about eschewing descriptive details when wanting female characters to smolder. And it works, at least when he does it. For his voice alone, I think Leonard should be considered one of the great American writers.
On an entirely different note, I’m also working through Andrew Murray’s With Christ in the School of Prayer, a book that Richard Foster strongly recommends in his classic book on spiritual disciplines. This is an old book (written in the 19th century?), but it’s organized like a modern day devotional. Right now, I’m impressed by the degree to which I’m learning. It’s spiritually very meaty, and I find this very satisfying. At the same time, going through the book has been slow going; you could say it’s taking me a long time to digest it.
2019 winner of the Caldecott Medal. Just announced this morning.
2019 winner of the Newbery Medal. Also just announced this morning, and immediately ordered from Amazon.
Stars My Destination by Alfred Bester
My understanding is that this ranks among the best sci-fi novels of all time. My opinion on that? I’d say the book, written in the 50s, holds up fairly well. Bester is quite ambitious and is fairly successful in my view. I had little patience for some aspects of the novel, though, and I’ll try to get that later.
Here’s a brief synopsis. The novel is basically a revenge story, involving a lone survivor of a space craft. In a way, the novel functions like a action-thriller, while throwing in some political commentary.
It’s the latter that I had little patience for. Without being too specific, I have a very different view of people, especially the way they behave politically. To be more specific,
Road Dogs by Elmore Leonard
Road Dogs feels like a book conceived on the premise of bringing together some of Leonard’s favorite characters from his previous novels; or characters he wanted to write more about. There are three in this one–Jack Foley (from Out of Sight), Cundo Rey (from LaBrava, and Dawn Navarro (from Riding the Rap). (Karen Sisco, from Out of Sight, is mentioned several times, but doesn’t really make an appearance.) Generally, I’d be leery of a book like this, as right off the bat it seems contrived and might end feeling forced. But I don’t think that’s the case with this book. In a way, Leonard is someone that could pull something like this off, because his books are more about the characters and dialogue than the overall plot.
The plot and story, which actually develop in a fairly satisfying way, though, involves Foley and Rey meeting in prison, where they develop a bond. Rey has a property out in California and he helps Foley, and they talk about doing something together when they get out. Rey is now married to Dawn, a sexy fortune teller. Anyway, a bunch of other characters get involved and the plot twists and turns with betrayals. Overall, I found the resolution pretty satisfying.
One thing I’d like to comment on, and that is Leonard’s skill at creating a character that is cool–cool in the sense of the Fonz. John Travolta does a really good job of capturing what I mean in his performance of Chilli Palmer, who is another Leonard creation. In this novel, the cool character is Foley. There is a way this coolness comes out, particularly in tense moments. (Spoiler) For example, there’s a scene that builds to a physical confrontation, but Foley manages to prevent that by suggesting a game of one-on-one basketball. There’s one or two other scenes like this. Foley never seems to get too emotional; he never seems to reach the point of strong emotions like rage, hate, or even deep love. It creates a sense that he’s above it all, and it’s appealing the way Leonard expresses this in the character.
The Best We Could Do by Thi Bui
This is a graphic novel about the author’s Vietnamese family’s journey to America (in the 70s). The story is a very familiar one, and I would guess many American families could relate to it. This is one reason I think this book is timely–I wish white Americans, especially those who have negative attitudes towards immigrants would read this, as I think they could see their families in this story. It’s also good to read the story and think about Syrian refugees or Central American immigrants. My guess is many of their stories would be similar to Bui’s.
I do think controlling the flow of immigrants is valid and important, and I can understand those who want to enforce immigration laws. Still, what I find disturbing is the lack of compassion for these immigrants. Many of them are fleeing countries in turmoil or poor economic conditions, and they’re taking courageous steps to make a better life for them and their children–just like many of the Americans whose families have been here for a while now. Bui’s book doesn’t tell a new story per se, but the book does so in a way that I found powerful. I non-Asian Americans would also react in a similar way.
Logicomix: An Epic Search for Truth written by Apostolos Doxiadis and Christos Papadimitriou; illustrated by Alecos Papadatos and Annie Di Donna
I got this graphic novel a while ago. I thought it was about Bertrand Russell, the great English philosopher/logician, and since I never read any of his work, I held off reading it. But I recently wanted a quick read, so I picked this up. The graphic novel isn’t really about Russell so much as the quest to for a logical basis for basic axioms of math. Early in Russell’s life, the fact that certain math axioms were merely accepted and not proved really bothered him–which made a lot of sense to me. The book chronicles his quest to find an answer to this, meeting up with other famous philosophers along the way. But the novel isn’t just made up of philosophical discussions. Indeed, half the novel seems focused on Russell’s personal life, and I think that makes the novel more interesting and engaging. Additionally, the creators choose to include a meta-quality of the story–where they become part of the novel, discussing themes and topics in the book. This approach can have pitfalls, but I think they do a good job of avoiding this.
In this section, as a way to process the novel, I want to write about some random thoughts about the themes and ideas in the novel.
1. Do the creators have a favorable, negative, or neural view of logic? Padamitriou has a favorable view, while Doxiadis is either neutral (i.e., just reporting the facts) or somewhat negative (cf. his interest in the connection between mental instability/insanity with the serious study of logic). In any event, the book will likely disappoint those who believe logic is the ultimate tool of mankind.
2. Bringing up God would be beyond the scope of the book, but it make for an interesting part 2. What role does the belief or disbelief in God play in the quest for foundations of logic and math? My guess is that it would play quite a large role. I can’t help but feel the quest is partly driven by atheism, although I suspect theist logicians would also be interested in the quest as well.
3. What was the larger meaning and significance of Athena and the Furies joining to oversee the Athenians. Athena represents wisdom, or do the creators see her as representing logic (which is something really different in my view) and the Furies representing elements that are not logic–e.g., intuition, emotion, etc.? In the real world, the book seems to suggest that people need to use logic and other tools in order to make the best decisions for the most difficult problems.
Secondhand Time: The Last of the Soviets by Svetlana Alexievitch
Since 2016, I’ve learned more about the Russian government, specifically their intelligence agency, the FSB. But I realize that I know almost nothing about the Russian people, particularly their political opinions and perceptions of their government. This book seemed like a good place to start, as it is an oral history of Russians (and Soviet people of different ethnicities) who experienced the fall of the Soviet Union in the 90s, as well as others who speak about Russia in the 2000s. Some of the anecdotes are about experiences that occur much earlier (e.g., World War II). Alexievitch has spoken to many different people and woven their stories into book. Reading it makes me feel as if I’ve traveled to Russia and other Eastern European countries, and stayed at in peoples’ homes and listened to their stories in the process.
I should say that many, if not all, the stories are compelling and could rival those found in fiction, particularly tragic, horrific tales. Several of the stories involve romantic love within this context as well. (I’m not sure if or how Alexievich vetted these stories or if she just took them at face value. I wonder about the veracity of some of them.) In my view the anecdotes and characters have a kinship with those found in 19th century Russian literature.
Some other questions and takeaways:
In any event, when the Soviet Union fell, to have this whole idea taken away must have been really devastating. Imagine if, as Americans, we experienced something that essentially invalidated our entire political system. By the way, when I read a description of this time from Henry Kissinger’s Diplomacy, specifically descriptions of Gorbachev, I had a really uneasy feeling. I got the impression that Gobachev thought he could just wipe all the Soviet Union, the ideal and the history, away, and then just start with a blank slate. That is, he never really had anything to replace it. If this was accurate, this seemed really irresponsible. My impression from Alexievich’s book (and other comments I’ve heard about Russians) is that they think of themselves as a great nation, maybe an empire, and the Communist ideal was a big justification for this belief. Moving on from communism was a good thing, but a leader would have to provide an idea and a narrative that could replace it–and for Russians both had to be commensurate with their pride and sense of being a great nation. If I had to guess, I think Russia is going to have a lot of problems and be a problem in the world until they find such narrative that can fill this and not be one that is antagonistic and destructive to other countries.
Nothing is True and Everything is Possible: the Surreal Heart of the New Russia by Peter Pomerantsev
Where Secondhand Time features interviews of people who lived during and after the fall of the Soviet Union, Nothing is Real features profiles of individuals living in Russia now. (The book came out in 2014.) The former weaves interviews together, the latter is like an extra long 60 Minutes episode on Russiac. Pomerantsev, a Russian-British citizen, worked in Russia as a producer for TV documentaries and reality shows. His book reveals today’s Russia, the corruption and Kremlin controlled TV, through the people Pomerantsev profiled and his experiences working in Russian TV. He’s a good writer and the profiles and anecdotes have the type of sensationalistic and titillating quality you’d expect from reality TV, and because of both qualities, people not interested in contemporary Russia may find the book interesting.
(Later, I’ll post some excerpts that stood out for me.)
I didn’t read the article below, but it seems related to parts of the book.
In London, criminal wealth is literally changing the landscape https://t.co/0sFzj3bLFx
— Anne Applebaum (@anneapplebaum) May 16, 2019
In London, criminal wealth is literally changing the landscape https://t.co/0sFzj3bLFx
— Anne Applebaum (@anneapplebaum) May 16, 2019
I finished the third George Smiley book, The Spy Who Came in From the Cold. The previous two were more like detective fiction, but this one finally moves into a espionage/spy territory. I think I liked this better than the first two.
I’m not reading the fourth book, The Looking-Glass War
I’m also working through Ed Brubaker’s and Sean Phillips’s Criminal graphic novel series. I’m enjoying it so far. I’d describe it as a crime version of Winesburg, Ohio.
The Looking Glass War by John le Carre
I’m not sure how much I would have liked this if it weren’t for my interest in public administration and my experience working in government. The story involves the possibility that that Russians are building a missile site in East Germany (I think the story takes place in the 1960s.). One of the branches of a the military-intelligence attempts to send in an agent to investigate, although this capability seems to have atrophied over the years. Instead of turning to another agency (equivalent of the CIA?), or at least working closely with them, the unit attempts to work on this project independently.
If you didn’t know anything about le Carre, you wouldn’t think he an acclaimed writer of popular spy fiction. I can’t help but feel it’s ultimately a critique, based on le Carre’s personal experience, of the turf wars in government bureaucracy.
I finished up the Criminal series (or most of it, I think). It was entertaining.
Tinker, Tailor, Soldier, Spy by John le Carre
Of all the le Carre books I’ve read, I’ve enjoyed this the most so far. One thing I don’t think I’ve mentioned is the way the British vernacular, plus the technical terms relating to espionage, can be confusing to read. It’s not a big deal, but something that has to be worked through.
The basic storyline in this one: There’s a Russian mole in the upper levels of the Circus (MI6). George Smiley is brought on to ferret out the mole.
The jargon thing was pretty evident in the movie. I found it best just to go along with it and not stress about the meanings too much.
Yeah same. Still, at times, I feel like I’m reading in a fog, if you know what I mean. Actually, the bigger issue to do with British vernacular, not the spy terms. (There’s some online resources that provided definitions of these terms.)
I finally finished Holes with my kids, which they enjoyed for the most part. I think we all would have enjoyed it a lot more had there not been large lapses (several weeks) between readings.
I also re-read The Giver.
I’m disappointed by its merely being “enjoyed for the most part.” It’s really an amazing novel, in its plot construction and themes.
Because there were long gaps between readings, I’m pretty sure we missed or forgot a lot of details that would have helped us appreciate the novel a lot more
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