We’ve been hearing the phrase “black lives matter” a lot lately. Some seem to object to the phrase, and respond with a phrase of their own–namely, “all lives matter.” Assuming both sides uttering these phrases are genuine and acting in good faith, I wanted to unpack what these phrases mean, and where the disconnect may occur.
I really enjoy the experience of coming across a new idea that changes my perception or understanding in a significant way. I’ve been thinking about four pieces of writing that did that for–all of them crucial, I would say, to Americans. I list those articles, with a brief description, in the first comment. (Note: The title is more of an attention-getter than something I literally believe.)
This is a thread to discuss on the HBO miniseries on the Chernobyl disaster.
7 hours and 30 minutes. That’s how long this film, by Bela Tarr, is. For any film of similar length (and there are others), the first question I would ask for those who have seen such films is, Is it worth the time? And relatedly: Is the time justified? I will provide an answer to both questions, but before I do, let me explain why I’m writing about this film. This is a film I’ve been wanting to see for a long time. I really liked Werkmeister Harmonies and Turin Horse–both by Tarr, and both are great–the former would definitely make my list of all-time great movies (and the latter also has a shot). Satantango also appears on all-time great lists, including the 1001 Films You Must See Before You Die list. So, I’ve wanted to see this. Unfortunately, it was not easy to find, and the DVD was expensive. This year or last, I saw that they were screening this in Seattle, and I felt excited, but disappointed that I couldn’t go. (It would have been extra special to see this on the big screen.) But recently, the kanopy.com website, to my delight, made the a newly restored version of the film available for streaming. I recently watched this, and unsurprisingly I have a lot to process. And this is why I’m starting the thread now.
Amazon Prime has older NBA games their airing now. When I say older, I mean in the 70s and 60s. I watching a few quarters of Kareem and the Big O with the Bucks, Rick Barry and the Warriors, among others. Watching a few of these games reinforced a hypothesis I had about Magic, Bird, and the NBA in the 80s–namely, they were anomalies, and the 80s were an exception rather than the rule. I’ll explain my reasons for feeling this way in the next post.
Civilbeat has been exploring that question.
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How would you guys answer this? Here’s my first attempt:
A thread to discuss ESPN‘s list of all-time greatest NBA players.
I have a lot of respect for Michael Jordan as a basketball player (and he seems like a decent enough guy). I don’t think I’ve ever had a negative impression or thought of him. Until now. I haven’t been watching The Last Dance, but I’ve been listening to some of the comments about the series. The ones I heard today, from Shannon Sharpe, specifically about Michael Jordan’s leadership was the first time I can remember having a negative impression of Jordan. I’ll go more why I feel this way in this thread.
I really love artist that push and sometime break boundaries, leading to a new style or vocabulary, or even redefining what constitutes art or not. Marcel Duchamp, John Cage, and maybe Andy Kaufmann would be examples of the latter. Other innovators, who may not cause us to re-think art, but I still I like a lot are Frank Zappa, Miles Davis, Jimi Hendrix, James Brown, to name a few. This is a thread to discuss innovations of specific artists as well as innovations in art more generally. I want to start by talking about two different innovations in music that I’m interested in.